Filmed in front of a sold-out hometown crowd in New York City, "SMD" is the first Comedy Central stand-up special from Saturday Night Live's Pete Davidson. The special is filled with Davidson's unfiltered, brutally honest anecdotes about smoking a Snoop Dog amount of weed, texting his mom d* pics, and his issue with male porn stars. From his stint in "prehab" to this one time at a Justin Bieber concert, Davidson proves that even at 22, he and his friends have had some high times and heavy experiences.

Comedian Pete Davidson welcomes friends and fampu faces for an intimate weekly hangout at the most exclusive venue in New York — his garage.

Sharing the stage in this episode are Pete Davidson, with Emma Hunter, Mike Recine, Ian Karmel, and Ricky Velez!

Pete and Pete are two redheaded brothers living in the somewhat surreal town of Wellsville. Pete, the older of the two, narrates the stories about their adventures in everyday life.

After leaving prison, Marius takes cover from his past by assuming the identity of his cellmate, Pete. He moves in with Pete's long-estranged, unsuspecting family and is roped into the family's bail bond business. He's a criminal taking down other criminals.

TV pilot created by Simpsons writer John Swartzwelder set in the Old West.

A washed-up tennis player enters a Palm Beach pickleball tournament in order to save his hometown courts from being torn down for a corporate office complex.

Ashley is a journalist and does makeovers for a TV show. Her editor offers her the job of being the editor of a new fashion supplement, provided she does a makeover on a sports writer, who is an uncouth, loudmouthed, sexist slob.

Unable to complete the deal by telephone, advertising executive Roberts sends his assistant Ann to Cuba to lure a Cuban band, led by Desi Arnaz, on to an American radio program. Attracted to Ann, Arnaz and his band come to New York but complications arise when the squeaky-voiced, addle-brained sponsor of the program decides she wants to be the vocalist on the program.

With a blend of poignant flashbacks and present-day reflections, the film follows Pete on his 50th and final season fishing for salmon in Southeast Alaska. With day-in-the-life scenes on his fishing vessel, Njord, he emphasizes the critical need for ethical fishing practices, grassroots political organizing, and direct consumer relationships to thrive in an increasingly challenging economy. Featuring powerful moments from the 2001 battle to protect Seattle’s Fisherman’s Terminal for working vessels, this documentary not only showcases the fight for economic survival but also underscores the personal and collective resilience that sustains small family businesses in the face of adversity.